Abstract
The relationship between the hand and the eye and thus between touch and sight is the mark of a founding instability; an instability, it can be argued that accompanies the history of aesthetics. Integral to that history is the attempt to control, or at the very least to assert control over that which is inherently unstable namely the domain of sensation. This is a state of affairs that accompanies the emergence of aesthetics and which finds its most exact formulation in the distinction between sensation and cognition.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
