Abstract
In Republican women writers’ works, the diary and epistolary modes are two common styles to reveal characters’ interior monologue (IM) and the flow of consciousness in fiction. The women writers often attempt to convey the self-introspection with female awareness through both narrative forms; in particular, women writers use it to express the narra¬tor/characters’ IM in a private enclosed situation. Through the specific textual analysis, it can be seen that the authors attempted to imply something through both of these narrative forms; in particular, women writers used this as a way to express the characters’ IM in private situations; for another thing, the usage of epistolary or diary forms could enable women writers to avoid possible criticism or blame when they tried to express their feminist feelings or thoughts. To some extent, this private narrative form provided an existential space for their discourse. No matter for the diary or the letter, seemingly it is merely a personal expression of thoughts and emotion, however in fact this was women writers’ intentional choice. They clearly knew that female writing was not yet the established norm, so most of women writers showed cautiousness in their creative writing. It achieves a more effective negotiation with a patriarchal society.
Highlights
In Republican women writers’ works, the diary and epistolary modes are two common styles to reveal characters’ interior monologue (IM) and the flow of consciousness in fiction
[26] we find that Lu Yin’s female protagonists always describe a series of their own unlucky romantic encounters with men in their letters, and frequently refer to the similar misfortunes of their female friends in heterosexual relationships
We find that the practice of epistolary fiction, especially monologue-esque epistolary writing, opened a new perspective for Republican women writers on exploring protagonists’ innermost feelings as well as providing an existential space for their marginalised discourse
Summary
In Republican women writers’ works, the diary and epistolary modes are two common styles to reveal characters’ interior monologue (IM) and the flow of consciousness in fiction In this selection of short stories, the form of diary or epistle acts as the medium to provide authors a space for showing the narrator/protagonists’ IM. The usage of epistolary or diary forms may enable women writers to avoid the possible criticism or blame when they try to express their emotional feelings or thoughts with female awareness To some extent, this kind of private narrative form provides an existential space for their discourse. As Amy Dooling argues, this kind of narrative strategy seems to “temper the harsh impact of an impersonal third-person narrativisation of the wrongs inflicted on women in patriarchal culture”. [1]
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