"En Acıklı Öykü"den "Bir İhtiras Hikâyesi"ne: Ford Madox Ford'un İyi Asker Romanında Modernist Anlatı Teknikleri ve Temalar

Abstract

Modernist British fiction has been customarily associated with a small group of authors, including Virginia Woolf, James Joyce, D. H. Lawrence and Samuel Beckett and their experimental works. This highly exclusive view of modernism largely overshadowed the place and legacy of Ford Madox Ford, along with some of his contemporaries, in the history of modernist British fiction. Despite this neglect in critical trajectory, Ford’s works, in fact, anticipates the technical and thematic concerns of the modernist fiction in many ways. The aim of this paper is to explore Ford’s affinities with major modernist writers through a comprehensive analysis of his 1915 novel The Good Soldier: A Tale of Passion. The subtitle of the novel “A Tale Passion” provides the necessary critical framework for literary analysis with its implications about Ford’s theory of the novel. Accordingly, the first part of the article focuses on the narrative strategies inspired by the definition of ‘tale’ and explores how Ford’s impressionistic writing style challenges the established conventions of the nineteenth century realism. The second part discusses the way Ford employs the theme of destructive passion to explore the overarching themes of shifting sense of morality and class as well as the political turmoil in the pre-war period.