Empathic Identification in Anne Michaels’sFugitive Pieces: Masculinity and Poetry after Auschwitz

Abstract

Previous articleNext article No AccessIII. Dis/IdentificationsEmpathic Identification in Anne Michaels’s Fugitive Pieces: Masculinity and Poetry after AuschwitzSusan GubarSusan GubarDepartment of EnglishIndiana University, Bloomington Search for more articles by this author Department of EnglishIndiana University, BloomingtonPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Signs Volume 28, Number 1Autumn 2002Gender and Cultural Memory. Special Issue Editors Marianne Hirsch and Valerie Smith Article DOIhttps://doi.org/10.1086/340912 Views: 220Total views on this site Citations: 8Citations are reported from Crossref © 2002 by The University of Chicago. All rights reserved. PDF download Crossref reports the following articles citing this article:Nigel Clark Anthropocene Bodies, Geological Time and the Crisis of Natality, Body & Society 23, no.33 (Aug 2017): 156–180.https://doi.org/10.1177/1357034X17716520Amy Shuman Empathy and Speaking Out, Fabula 58, no.1-21-2 (Jan 2017).https://doi.org/10.1515/fabula-2017-0006 Jacobs Traumatic Inheritance and the Demasculinization of God: Reimagining the Divine among Descendants of the Holocaust, Journal of Feminist Studies in Religion 31, no.22 (Jan 2015): 65.https://doi.org/10.2979/jfemistudreli.31.2.65Milena Marinkova Canadian literature of ‘here’ and ‘elsewhere’: CanLit Balkans, British Journal of Canadian Studies 26, no.22 (Sep 2013): 253–273.https://doi.org/10.3828/bjcs.2013.14Victoria Nesfield, Philip Smith Holocaust literature and historiography in Anne Michaels’ Fugitive Pieces, Journal of European Studies 43, no.11 (Mar 2013): 14–26.https://doi.org/10.1177/0047244112470084Ian Rae Poetry, drama, and the postmodern novel, (Nov 2009): 441–459.https://doi.org/10.1017/CHOL9780521868761.024Merle Williams, Stefan Polatinsky WRITING AT ITS LIMITS: TRAUMA THEORY IN RELATION TO ANNE MICHAELS'S FUGITIVE PIECES, English Studies in Africa 52, no.11 (May 2009): 1–14.https://doi.org/10.1080/00138390903168987Janet Jacobs Gender and collective memory: Women and representation at Auschwitz, Memory Studies 1, no.22 (May 2008): 211–225.https://doi.org/10.1177/1750698007088387