Abstract

There is an ongoing debate about whether emotional responses to artworks are similar to those produced by the commercial stimuli experienced in everyday life. In this study, we evaluated the emotional responses to the visual art and commercial stimuli by using electroencephalography (EEG) to obtain an objective measure of emotional responses of the brain, namely the frontal alpha asymmetry. Positive frontal alpha asymmetry suggests positive emotional responses, and vice versa. The visual art stimuli consisted of 80 artistic and naturally colored paintings whereas the commercial stimuli consisted of 80 different window displays of fashion collections. The results revealed that positive frontal alpha asymmetry was elicited when the participants judged the visual art stimuli as either beautiful or not beautiful. For the commercial stimuli, positive frontal alpha asymmetry was observed when they were considered as beautiful, whereas negative frontal alpha asymmetry was exhibited toward those perceived as not beautiful. These findings suggest more positive emotional responses to the visual art stimuli, regardless of their aesthetics. However, favorable emotional responses were only elicited toward the commercial stimuli regarded as beautiful. The implications for the creative and aesthetic design of the commercial stimuli in Chinese society in influencing consumers’ emotional responses are discussed.

Highlights

  • The visual arts, such as painting and sculpture, are the most prevalent forms of visual artistic expression in the West that are considered to be creative products (Kaufman et al, 2008; Lan and Kaufman, 2013)

  • These functional magnetic resonance imaging (fMRI) studies focus on localizing the brain regions during aesthetic experiences, but cannot determine whether pleasurable emotional responses are elicited during aesthetic experiences

  • We recently carried out a study that used the frontal alpha asymmetry as an index of mood states to examine whether aesthetic judgment of personalappearance styles as beautiful resulted in a pleasurable experience for the perceiver (Cheung et al, 2014)

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Summary

Introduction

The visual arts, such as painting and sculpture, are the most prevalent forms of visual artistic expression in the West that are considered to be creative products (Kaufman et al, 2008; Lan and Kaufman, 2013). The network consists of the medial occipital, the lateral occipital, the lateral posterior parietal, the medial parietal, the medial frontal, and the prefrontal regions of the left hemisphere (Cela-Conde et al, 2013)

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