Abstract

For many Black South African women, speaking about the gruesome and demeaning treatment they experienced during Apartheid is not easy. Silence became normalized due to the unspeakable nature of what many of the women went through. They struggled to find a way to express their traumas and many lived and continue to live with these hidden transcripts of their lives. For some, shame and lack of safe spaces or platforms to speak/express their traumas contributed to this silence. Indeed, many women continue to struggle to find the language to express their traumas. This paper engages how, through visual narratives such as embroidery, women become active actors in the telling of their lived realities. Drawing from a qualitative approach and using visual narratives in the form of embroideries, the paper offers insights on how unspeakable lived experiences of trauma can be expressed. The paper further highlights ways in which embroidery can be used to connect both the personal and collective stories of Black women in South Africa and to show how suffering is an interpersonal experience. Finally, the possibilities and potentials of visual artwork, as a canvas that offers space for expressing stories of trauma, survival, and healing, are addressed.

Full Text
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