Abstract
The article reflects on the use of story and poetry as tools that facilitated a conversation related to uncomfortable historical conversations. It uses the performance of Krotoa, Eva van die Kaap as a starting point for unpacking the ways in which the play functioned as an extension of a drama therapy process on conversations about historical trauma. The Groote Kerk served as a symbolic meeting place as well as a way of thinking about therapeutic spaces for reparative dialogues.
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