Embodying the evictees of Asian Olympic cities: Video documentaries of demolition and relocation in seoul and Beijing

Abstract

Preparations for the Seoul Olympics in 1988 and the Beijing Olympics in 2008 involved the large-scale demolition of dilapidated houses in the old towns of Seoul and Beijing and the forced relocation of their residents as the urban poor. Two activist video documentaries in South Korea and China, Kim Dong-won’s Sanggyedong Olympics (1988), Seoul, South Korea, Purn-yeongsang) and Ou Ning’s Meishi Street (2006), Beijing, China, Alternative Archive), bear witness to those detrimental effects that the urban transformation linked to the two cities’ hosting of the Olympics had on their communities. This article examines the ways in which the two film-makers used the capacities of video technology, such as spontaneity and portability, and the relative ease with which the amateur can access and handle it, to capture the truth of demolition and relocation in the observational, realist aesthetics, and to develop alternative modes of documentary subjectivity for representing the poor residents’ embodied knowledge and emotion. The use of an amateurish female voice-over in Sanggye-dong Olympics, and the casting of a male resident as an amateur documentarian who operates a video camera in Meishi Street testify to the extent to which video technology enabled the film-makers to develop the ‘participatory’ and ‘performative’ modes of documentary in which the residents could be empowered to speak for themselves. It is through the modes of subjectivity, this article argues, that the two political documentaries succeed in bringing into the public consciousness the interests and issues of the social actors who are neglected by the host countries’ official media and authorities.