Abstract
Two years into living our own dystopian narrative where Covid-19 has ravaged the world socially, politically, and economically, dismantling contemporary society and irrevocably altering ways of life as we knew them, people continue to use film and television as means of reprieve. Amongst this reinvestment in escapist media, however, reverberated the eerily premonishing contagion narratives of both the past and present. It is within (and among) these porous boundaries of fiction and fact that Embodying Contagion: The Viropolitics of Horror and Desire in Contemporary Discourse is located.
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