Abstract
The paper examines the role of literature in creating a social framework for the memory of women combatants. The aim is to outline the problematic issues of forming a collective memory of women in the UIA ranks, based on the analysis of the literary representation of their experiences in prose. The objects of the study are the novels “Lemkivshchyna in Fire” by Mariia Ostromyra, “The Museum of Abandoned Secrets” by Oksana Zabuzhko, and “Because It Hurts” by Yevheniia Senik. To achieve this goal, the paper considers aspects of women’s experiences in the UIA as presented by historians and then compares the real experiences with those depicted in the analyzed texts, identifying and interpreting problematic issues. Historians describe women’s experiences by combining: 1) the functions that women performed in the army (scouts, typists, couriers, nurses, suppliers, and, rarely, riflemen); 2) changes in the concept of femininity, including the rejection of motherhood, loss of children, separation from family or beloved men, and forced relationships; 3) the instrumentalization of fear initiated by the Soviet secret services. The analyzed women’s novels have different strategies for representing women’s experiences. “Lemkivshchyna in Fire” emphasizes the contribution of women to the struggle but avoids depicting a specifically female experience. “The Museum of Abandoned Secrets” highlights the distinctive experience of war caused by biological (but not social) factors and doesn’t account for women’s participation in the struggle. “Because It Hurts” captures a wide range of women’s experiences but avoids interpreting and evaluating them. Thus, these novels make women’s experiences during armed conflicts visible but do not convey their fullness and complexity. At the same time, all three works aim to deny the Soviet narrative of the ‘betrayal’ of women from the underground movement: the portrayed characters are steadfastly committed to the goals of the struggle and refuse to cooperate with the enemy. Therefore, these novels are significant in the context of the decolonization process.
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