Abstract

Continuity and change have become crucial themes for the built environment and heritage buildings; also in the education and practice of architects. Embedding built heritage values into studio-based design education is a daunting new challenge that demands new didactic perspectives and tools. To address the dilemmas that come with design assignments for adaptive reuse, an experiment with new didactic analytical tools has been conducted in the Heritage & Architecture (H&A) architectural design studios at the Delft University of Technology. The analysis attempts to connect matter—physical structures—and meaning in a structured graphical process through predefined mapping exercises. Our aim is to introduce a step-by-step method for exploration that can form the foundation of values-based design from built heritage. Central to our multifaceted approach is a specially developed matrix that is meant to support design-oriented analysis of heritage buildings. This paper situates the H&A perspective on the adaptive reuse of valorised buildings within the heritage discourse and architectural design education in general and further gives insight into the didactics, the tools, their uses and initial results. After a critical reflection on our points of departure, based in an evaluation of results, peer discussion and student evaluation, we conclude that the applied methodology is instructive to the educational goals but also merits further development. One of the lessons learnt for future teaching includes allowing students freedom to discover values themselves. An important conclusion is that an earlier and broader foundation that engages the continuation of tangible and intangible heritage values in the ever-changing built environment is required in architectural educational practice.

Highlights

  • Architects are rediscovering that their profession forms part of a long tradition

  • Architecture is an expression of values—the way we build is a reflection of the way we live

  • It requires architects to have knowledge of both the physical qualities and insufficiencies of an existing building as well as the values embodied by the building, which in turn requires innovation in teaching practice. This recent rise in complexity in approaches to existing built fabric is mirrored in the transition of the erstwhile Chair of Restoration at the Delft University of Technology (TU Delft) into the three complementary chairs of Heritage and Design, Heritage and Technology and Heritage and Values that today collaborate in the section of Heritage & Architecture (H&A)

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Summary

Introduction

Architects are rediscovering that their profession forms part of a long tradition. As a case in point, British starchitect, Sir Norman Foster, explained his views on architecture and values in a 2014 interview: ‘Architecture is a connection with the past. It requires architects to have knowledge of both the physical qualities and insufficiencies of an existing building as well as the values embodied by the building, which in turn requires innovation in teaching practice. This recent rise in complexity in approaches to existing built fabric is mirrored in the transition of the erstwhile Chair of Restoration at the Delft University of Technology (TU Delft) into the three complementary chairs of Heritage and Design, Heritage and Technology and Heritage and Values that today collaborate in the section of Heritage & Architecture (H&A)..

Introducing a didactic experiment
Educational research approach
Lessons learnt
Findings
Critical evaluation
Full Text
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