Abstract
This article presents a stylistic assessment of the pottery from early tests (1900–1905) at Knossos that may be assigned to EM I. There follows a discussion of the problems of ceramic phasing of EM I Knossos and the relative chronology of Central Crete with the South Aegean in EB I. Finally, the social context of ceramic consumption at EM I Knossos and North-Central Crete is explored, and the possible evidence this may provide for ritualised social practice at Knossos and emergent social differentiation and power.
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