Abstract

J. T. Grein's Independent Theatre has long been considered the counterpart to Antoine's Théâtre Libre and Brahm's Freie Bühne: a subscription-based theatre introducing experimental drama to a coterie audience in the 1890s. However, just as in Paris there were rival production groups such as Paul Fort's Théâtre d'Art, so in London Grein was not the sole purveyor of the new drama. He had many individual competitors, the most important of whom were women who produced primarily the plays of Henrik Ibsen.

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