Abstract

Abstract Thirty years ago, William Wallace likened British foreign policy to a musical tug-of-war between the ‘Anglo-Saxons’ and ‘Europeans’, attributing ‘all the best tunes’ to the former. This article revisits Wallace's thesis and its main concept: national identity. It finds that Wallace was right to draw attention to the power of the ruling elite to shape Englishness and Britishness. However, the article also finds that ‘global’ foreign policy ideas were never the exclusive province of a segment of the British elite. Rather, they circulated in English and more broadly British society writ large, reflecting and reinforcing deep-seated, even unselfconscious, agreements between both ‘Anglo-Saxon’ and ‘European’ elites on the one hand, and much of the mass consumer public on the other. It follows that the constraints posed on possibilities of foreign policy change were always greater than Wallace had suggested; that a ‘lesser’ British foreign policy that was, and still is, so hard to imagine for the British is significant for analysis of dynamics of ‘western’ knowledge production that come under critique in this special issue. But rather than focusing exclusively on elites, critical analyses of knowledge exchange should be attuned to popular common sense, too.

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