Abstract
Abstract This article examines three of the greatest writers of Christian poetry in English during the twentieth century. They were converts of varying kinds, whose conversions were fundamentally involved with their special geniuses as poets. David Jones (1895–1973), whose conversion carried him least far, from a not very sacramental Anglicanism to Roman Catholicism, moved because of his understanding of symbolism. W. H. Auden (1907–73) returned, from Anglicanism through unbelief and Marxism, to Anglicanism again, through his awareness of inspiration, of guilt, and of what he learnt from Kierkegaard, to call the three stages of the aesthetic, the ethical, and the religious. T. S. Eliot (1888–1965) moved in the widest arc, from Unitarianism, which in later life he did not count as Christian, through agnosticism and a close encounter with Buddhism, to Anglicanism at its most sacramental, by an engagement with time and consciousness that took him all his poetic life.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.