Abstract
Gloria y peluca, zarzuela in one act performed for the first timpe in 1851, is a real manifest in defending a real Spanish musical theatre, against Italian opera, here caricatured in the figure the main mal character: Marcelo Pelusa. In the play, appears the point of wiew of the emerging middle calss of Madrid, which abhorred the pasional excesses of Romanticism and prefers a theatre based in the Spanish traditions of XVII and XVIII centuries.
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