Abstract
The ability of music to evoke activity changes in the core brain structures that underlie the experience of emotion suggests that it has the potential to be used in therapies for emotion disorders. A large volume of research has identified a network of sub-cortical brain regions underlying music-induced emotions. Additionally, separate evidence from electroencephalography (EEG) studies suggests that prefrontal asymmetry in the EEG reflects the approach-withdrawal response to music-induced emotion. However, fMRI and EEG measure quite different brain processes and we do not have a detailed understanding of the functional relationships between them in relation to music-induced emotion. We employ a joint EEG – fMRI paradigm to explore how EEG-based neural correlates of the approach-withdrawal response to music reflect activity changes in the sub-cortical emotional response network. The neural correlates examined are asymmetry in the prefrontal EEG, and the degree of disorder in that asymmetry over time, as measured by entropy. Participants’ EEG and fMRI were recorded simultaneously while the participants listened to music that had been specifically generated to target the elicitation of a wide range of affective states. While listening to this music, participants also continuously reported their felt affective states. Here we report on co-variations in the dynamics of these self-reports, the EEG, and the sub-cortical brain activity. We find that a set of sub-cortical brain regions in the emotional response network exhibits activity that significantly relates to prefrontal EEG asymmetry. Specifically, EEG in the pre-frontal cortex reflects not only cortical activity, but also changes in activity in the amygdala, posterior temporal cortex, and cerebellum. We also find that, while the magnitude of the asymmetry reflects activity in parts of the limbic and paralimbic systems, the entropy of that asymmetry reflects activity in parts of the autonomic response network such as the auditory cortex. This suggests that asymmetry magnitude reflects affective responses to music, while asymmetry entropy reflects autonomic responses to music. Thus, we demonstrate that it is possible to infer activity in the limbic and paralimbic systems from pre-frontal EEG asymmetry. These results show how EEG can be used to measure and monitor changes in the limbic and paralimbic systems. Specifically, they suggest that EEG asymmetry acts as an indicator of sub-cortical changes in activity induced by music. This shows that EEG may be used as a measure of the effectiveness of music therapy to evoke changes in activity in the sub-cortical emotion response network. This is also the first time that the activity of sub-cortical regions, normally considered “invisible” to EEG, has been shown to be characterisable directly from EEG dynamics measured during music listening.
Highlights
Music is an important part of the human experience for many people
Our results show that both generated music and classical music reveal BOLD activity in parts of the limbic system, including the amygdala, auditory cortex, cerebellum, and cingulate gyrus, that co-varies with reports of felt valence during music listening
For the first time, how activity in the sub-cortical emotion response network concomitantly changes with changes in EEG asymmetry amplitudes and temporal dynamics
Summary
Music is an important part of the human experience for many people. It provides entertainment and social bonding, facilitates communication, and helps shape a sense of identity[1]. Many of the same regions of this sub-cortical emotional response network are activated by a variety of reward stimuli, including music (see detailed review by Koelsch3), music involves activity in the hippocampus[7], a region of the brain not activated by other reward stimuli. This suggests that music-induced emotions are not just related to reward responses and it is important to study music as a unique type of stimulus. The large volume of fMRI-based evidence suggesting that music can change activity within these brain regions has encouraged investigation of the possible therapeutic effects of music in treating these diseases and conditions[3,10,11]
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