El uso del travelling como marca del estilo de Wes Anderson: análisis de Academia Rushmore (1998), Los Tenenbaums: una familia de genios (2001) y El Gran Hotel Budapest (2014)

Abstract

Wes Anderson is a film director recognized worldwide for the particular style he gives to each of his films. In this study we will analyze the importance of the use of travellings in the construction of this director's personal style, taking as an object of study three films from his extensive filmography, Rushmore (1998), The Royal Tenenbaums (2001) and The Grand Budapest Hotel (2014). To achieve this goal, we will make an analysis of the use of the travellings and their contribution to the development of the films stories. The results suggest that this camera movement is used by this American director to highlight the encounter that the protagonists have themselves and to give continuity to the story through the maturation suffered by them throughout the film.