Abstract
This paper deals with three poetic forms in contemporary Spanish literature: the fragmentary poem, the poem with notes and the poem with two or more versions. The characteristic ofthe three forms is that they establish a dialogue between the fragments of the text, the text and its silences, and the text and its notes, and between each ofthe versions of a poem and the others; the textual expansion either when silence is embodied, or when the poem turns into uproar.
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