Abstract
Inside the frame of intertextual analysis, the Julio Cortazar's first work is characterized by his relations dialogicas by different textual levels and extratextuales: the generic one, the poetical one, the philosophical one and the historical-cultural one. Los Reyes it is not an exception, and on him it centres on this article the one that offers himself the identification and the analysis of the topos reminiscente of the Minotaur and the labyrinth in the above mentioned dramatic poem..
Highlights
Inside the frame of intertextual analysis, the Julio Cortázar's first work is characterized by his relations dialógicas by different textual levels and extratextuales: the generic one, the poetical one, the philosophical one and the historical-cultural one
Los Reyes it is not an exception, and on him it centres on this article the one that offers himself the identification and the analysis of the topos reminiscente of the Minotaur and the labyrinth in the above mentioned dramatic poem
El ensayo dramático de Foucault, como utotexto de Los Reyes, continúa, entonces, sus mismos cuestionamientos, profundizándolos, estableciendo un diálogo con sus postulados, repitiéndolo en la misma espiral que rompe con las repeticiones para ir siempre un poco más allá de lo dicho, distorsionado una vez más el laberinto textual en busca de más poesía
Summary
RESUMEN Dentro del marco de análisis intertextual, la primera obra de Julio Cortázar se caracteriza por sus relaciones dialógicas con diferentes niveles textuales y extratextuales: el genérico, el poético, el filosófico y el histórico-cultural. Los Reyes no es una excepción, y sobre él se centra este artículo en el que se ofrece la identificación y el análisis del topos reminiscente del Minotauro y el laberinto en dicho poema dramático. Palabras clave: Julio Cortázar, Los Reyes, poesía, intertextualidad, Minotauro, laberinto. The dramatic poem cortazariano Los Reyes: the lyric hypertext like overcoming of the tragic myth
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