Abstract
The current research inspired by Foucault’s concept of panopticon, analyzes within the novel The Mister President the power relationships as a manifestation of a speech ruled by a logocentric structure of surveillance and denunciation. The work also studies the relevance of this text considering the presence of the panopticon in the represented continental reality as a coercive mechanism of control capable of normalizing the identity of the individuals and determine the political and interpersonal relationships.
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