Abstract
The present work analyzes the poems «III» and «XXVIII» of Trilce (1922) of the Peruvian writer Cesar Vallejo, considering that its theme deals with the idealized composition of the family from an unfavorable position for the poetic self and that, when it is established from that way, he achieves the perlocution in the reader (persuades him and convinces him of a specific reality). This semantic configuration is demonstrated by the analysis of rhetorical discourse, investigated by C. Fernandez Cozman, who adopts the postulates of G. Lakoff and M. Johnson, who resort to macro concepts (megametaphors) and micro (specific metaphors), essential for the formation of the typological classification, arranged in orientational, ontological and structural metaphors. Likewise, it is confronted with associated approaches, such as those of the interlocutors, the cosmovision and interdiscursivity.
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