El cuerpo vestido como construcción de identidades latinoamericanas a partir de lo monstruoso. Un enfoque decolonial para la enseñanza de la moda

Abstract

This research analyzes and questions fashion and its respective teaching from a colonial matrix, constantly constructed from the body as a place of use, representation and construction of fashion and its imaginaries. In this way, learning exercises in fashion are traditionally based on the recognition of the anatomical-ergonomic of the body in direct relation to the needs of the hegemonic industry, which imposes its narratives and canons. Thanks to the decolonial foundation of the Professional Program in Fashion of the Universidad Santo Tomás and through its modular project, the approach to the body is proposed from the monstrous as a place of the possibilities of creation, which allows exploring other dimensions of representation and body construction. Derived from the above, eight projects are developed conceptually and materially in the period 2024-1 as part of Module 1: design and identities that covers the first and second semester of the course, where it is built, based on the reflections on identity, a narrative that challenges and deconstructs the hegemonic imaginaries that fashion has imposed on certain corporealities and corporealities. This in order to broaden the spectrum of fashion to a plurality of representations and that first semester students at the beginning of their specific training in fashion, led from the costume and clothing workshop I, are able to propose from the problematization and exploration of historically marginalized imaginaries.