Abstract

La disciplina estética se ha interesado frecuentemente por el criterio estético –aquel por el que se discrimina o se determina qué es y qué no es el arte, o bien si algo es o no arte– pero raras veces se ha preguntado qué son y cómo operan los criterios artísticos, aquellos que están implicados en la creación o la crítica. Este artículo pretende ofrecer una caracterización de tales criterios a partir de su relación con la regla y con el juicio, elementos que remiten al pensamiento de Hume y de Kant respectivamente. Se presenta también una revisión de las ideas de autores como Stanley Cavell o Yves Michaud acerca del criterio. The aesthetic theory has often been interested in aesthetic criterion – that one that discriminates or determines what art is and what is not, or whether if something is art or not – but it has rarely asked what are the artistic criteria and how they operate (understanding by artistic criteria those that are involved in creation or criticism). This article aims to provide a characterization of such criteria starting from their relationship with standard and judgement, elements that refer to the thought of Hume and Kant respectively. A review of the ideas of authors such as Stanley Cavell or Yves Michaud about the criteria is also presented.

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