Abstract
The introduction of new forms of television consumption leads to changes in the audiences. In a context of liquid television it becomes increasingly necessary to analyze new types of consumption as it is done on social media (social audience) or viewing television products after hours of programming (time shifted). This article analyzes three types of audience (linear, social and time shifted) of three fictions cast in the Spanish mainstream television during the last quarter of 2015. The investigation concluded that success in linear audience does not ensure superiority of the social audience, although the data of three complement each other.
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