Abstract
The present article analyzes the relationship between art and sacred forms from the double perspective of theory and artistic forms. In the theoretical domain, based on the theories of Gadamer and Eliade, we find in the symbol the relationship between art and sacred forms. We develop the nature of symbols according to the theory of Ricoeur. In the artistic domain we analyze sacred expressions introduced by Rothko in the Rothko Chapel in Houston (Texas, U.S.A.). We conclude by considering the concept of truth in artistic symbols.
Highlights
In the theoretical domain, based on the theories of Gadamer and Eliade, we find in the symbol the relationship between art and sacred forms
We develop the nature of symbols according to the theory of Ricoeur
M. Zambrano, Algunos lugares de la pintura, Madrid, 1989
Summary
Nos acercaremos a la naturaleza del arte desde la perspectiva de Gadamer que destaca por la renovación que supuso su obra en el campo de la hermenéutica. Su filosofía se fundamenta en la experiencia estética donde, según Gadamer, se produce una disolución entre el espectador y el objeto, esto es, la obra de arte. El uso de estrategia o el desvelamiento de aquello que muestra la obra, evidencia el uso de la razón como característica. El significado del arte tal como lo entendieron Goethe y Schiller se concreta en hacer presente al referente al que remite. Los creadores verdaderos, no pueden ser otros sino aquellos que en cualquiera de las artes hayan logrado revelar algo[4]. Por último nos adentramos en el concepto de fiesta, que comparte con el arte el concepto de comunión y tiempo. El orden del tiempo se origina en la celebración de las fiestas.
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