Abstract
The angelic hyerarchy, structured by Dionisus the Areopagite since 5th century, did not have a wide iconographic development, however it can be seen in works, above all, from Late Medieval Age. In this paper, we dealt with an iconographic coding born in West Andalousia in the first half of 18th century and based on a 1713 engraving included in the Capuchin Fray Feliciano de Sevilla’s Trisagio especial devoto. We analyse five unknown paintings located in churchs in Lebrija, El Puerto de Santa Maria, Sanlucar de Barrameda and Arcos de la Frontera.
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