Abstract
In the aerial performance THAW, from Legs on the Wall Collective (2021), three heroines fight against the loss of their ice environment. Through de-humanisation and de-scaling, the performance suggests a post-anthropocentric worldview and makes complex scientific findings on the entanglements of ecosystems sensually accessible. By stressing the performers’ physical challenges and risks, the threat of climate change is mirrored and transformed into a bodily experience for the audience. Thus, THAW communicates scientific knowledge and fosters the necessity to act. This is highly relevant for w/k as it shows how science and research currently inspire and shape ecocritical performance art.
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