Abstract
In the fifteenth century a ca.-800 copy of the Pauline epistles was cut up in the Austrian Benedictine monastery of Mondsee and reused as binding material. Most of the fragments were detached in the nineteenth and twentieth centuries and are today kept in the Austrian National Library as Cod. Ser. n. 2065, but some are still in situ in their host volumes. The large number of surviving pieces –211 in all – enabled a reconstruction of not only 95 former (partial) leaves, but also of the quire structure of the former manuscript. These reconstructions rely on codicological observations as well as comparisons with other surviving witnesses of the same textual traditions, such as München, Bayerische Staatsbibliothek, Clm 9544.
Highlights
Larissa Rasinger wurde um das Jahr 800 im Kloster Mondsee in karolingischer Minuskel geschrieben und wird somit der frühesten Produktionsphase des Mondseer Skriptoriums zugewiesen,4 die nach dem berühmten Psalter von Montpellier5 auch „Psalter-Stufe“ genannt wird
Nejstarší latinské rukopisy a zlomky v Čechách a na Moravě [191– 195] Evina Steinova
Most of the fragments were detached in the nineteenth and twentieth centuries and are today kept in the Austrian National Library as Cod
Summary
Ein Berliner Handschriftenfragment der Vita Sancti Columbae Adamnani [165–173] Stefanie Bellach. Uno stress-test per Fragmentarium [175–183] Roberta Napoletano. Bart Demuyt and Ann Kelders, “Patrimoine éparpillé: Les fragments de l'antiphonaire de Beaupré”, 185–186 Alison Stones http://fragmentology.ms/issues/2-2019/. Dalibor Havel, Počátky latinské písemné kultury v českých zemích. Nejstarší latinské rukopisy a zlomky v Čechách a na Moravě [191– 195] Evina Steinova. Teruggevonden middeleeuwse handschriftfragmenten [197– 199] Carine van Rhijn. Åslaug Ommundsen and Tuomas Heikkilä, ed., Nordic Latin Manuscript Fragments: The Destruction and Reconstruction of Medieval Books [201–206] Christoph Flüeler. Caterina Tristano, ed., Frammenti di un discorso storico. Per una grammatica dell’aldilà del frammento [207–212] Roberta Napoletano
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