Abstract

This article links Samuel Richardson’s final novel Sir Charles Grandison (1753) to the twenty-first-century Proud Boys in order to examine seriously the implications of two often overlooked aspects of both: Grandison’s virginity and the Proud Boys’ “No Wanks” policy. This policy, which limits members’ masturbation, can serve to elucidate the sexual politics of Grandison, as both the modern-day men’s rights group and the eighteenth-century novel valorize male sexual restraint as a form of domestic dominance. This article argues that Grandison’s idealization of male sexual restraint reinforces the portrait of male virility for which Richardson’s earlier novels were criticized, rendering the virile male protagonist palatable to readers of the domestic novel’s courtship plot. The valorization of restraint exhibited by Richardson’s hero and the Proud Boys advances a sublimated understanding of male virility that works to solidify the fiction of sexual essentialism that still permeates our culture today.

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