Abstract
The author of the review is considering the ballet opera “Aida Suite”, which premiered on November 26, 2020. The performance, staged by the famous Kazakh ballet master Bulat Ayukhanov, was performed by the troupe of the State Academic Dance Theater of the Republic of Kazakhstan. The review focuses on the style and characteristics of the choreographer, as well as on the composition and vocabulary of the performance. The creative longevity of Bulat Ayukhanov is accompanied by his new discoveries in the field of dance, which implies the development of Kazakhstani ballet and its integration into the world history of choreographic art. Keywords: Bulat Ayukhanov, State Academic Dance Theater of The Republic of Kazakhstan, young ballet of Alma-Ata, Kazakh ballet, Verdi, Aida, Aida Suite, ballet opera, ballet
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