Abstract

Edward Shils’ Portraits offers various intellectual biographies of major figures that played a large role in his life, mainly at the University of Chicago. The list is diverse including economists, sociologists, natural scientists, and historians of the ancient world. The diversity illustrates the breadth of Shils’ academic work. The famous Committee for Social Thought was a key institution in Shils’ intellectual development and, while Portraits can be read as a history of the University of Chicago during the twentieth century, Shils was a trans-Atlantic intellectual with close connections to Peterhouse College Cambridge and the London School of Economics. Portraits is a celebration of the Chicago tradition created by Robert Maynard Hutchins University President (1929-1945) for the in-depth study of ‘great books’, but Shils concludes with a nostalgic reflection on the end of the ‘age of books’. The narrative is haunted by the figure of Max Weber, whose rationalization thesis has been borne out with the rise of the bureaucratic corporate university and the narrow specialization of research.

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