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Research Article| December 01 2017 Editors' Note The F. Scott Fitzgerald Review (2017) 15 (1): ix–xvii. https://doi.org/10.5325/fscotfitzrevi.15.1.ix Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Editors' Note. The F. Scott Fitzgerald Review 1 December 2017; 15 (1): ix–xvii. doi: https://doi.org/10.5325/fscotfitzrevi.15.1.ix Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectivePenn State University PressThe F. Scott Fitzgerald Review Search Advanced Search We should have known it was too good to last.Last year at this time we were gloating over F. Scott Fitzgerald's presence in what has become known as “streaming television.” For those of us who remember life before remote controls or even cable—back when rabbit ears were the norm—that means the increasingly diverse range of “platforms” that allow us through various gizmos and gadgets to waste more time watching television than at any previous point in human history. Even so, every once in a while, TV and literature intersect, and to our delight 2017 was shaping up to put the author of The Great Gatsby squarely in that cultural crossroads. Amazon.com was scheduled to produce not one but two shows on our writer, one a “bio-series” inspired by Therese Anne Fowler's 2013 bestseller Z: A Novel of Zelda Fitzgerald and the other a loose adaptation of The Last Tycoon... Issue Section: ARTICLES You do not currently have access to this content.
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