Abstract
The defining virtue of “Ardeth” is that the journal is solely focussed on the projects of architecture. This shifts attention from the visible aspects of architecture, most obviously the production of buildings and the attendant discussions around taste, form and technique. It also moves away from standard narratives of the hero figure of the individual architect who is deemed to have ‘created’ architecture. This is a necessary move because architects are only a small part of architectural an...
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