Abstract

Editorial| March 01 2021 Editor’s Introduction Devika Chawla Devika Chawla Devika Chawla is Professor in the School of Communication Studies at Ohio University. Correspondence to: Devika Chawla, School of Communication Studies, 431 Schoonover Center, Ohio University, Athens, OH 45701, USA. Email: chawla@ohio.edu. Search for other works by this author on: This Site PubMed Google Scholar Departures in Critical Qualitative Research (2021) 10 (1): 1–3. https://doi.org/10.1525/dcqr.2021.10.1.1 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Devika Chawla; Editor’s Introduction. Departures in Critical Qualitative Research 1 March 2021; 10 (1): 1–3. doi: https://doi.org/10.1525/dcqr.2021.10.1.1 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentDepartures in Critical Qualitative Research Search By the time this Introduction sees publication, it will be March 2021, and hopefully the United States will have inaugurated a new president and the first female, Black, and South Asian vice president. I am writing on 8 November 2020, one day after one of the most fraught presidential races in American history—what was fundamentally a contest between the forces of inclusion and exclusion in contemporary America. It is indeed prescient that the essays in this issue of Departures in Critical Qualitative Research (10.1) navigate the themes of inclusion/exclusion, native/Other, insiderness/outsiderness, survival, stigma, trauma, and colonial histories. How do Black women survive, thrive, and emerge as leaders in predominantly white and systemically racist institutions such as politics and academics? In “The Transformation of Silence into Language and Action,” Audre Lorde writes:Black women have on one hand always been highly visible, and so, on the other hand, have been rendered... You do not currently have access to this content.

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