Editing violin works for four-string domra as an artistic interpretation of the author’s text (in connection with the sound-making will of the performer)

E Lermontovа

doi:10.34064/khnum1-52.10

Abstract

Editing violin works for four-string domra as an artistic interpretation of the author’s text (in connection with the sound-making will of the performer)

Highlights

In recent years, there has been an undiminished interest of scientists to the problem of transcription
The purpose of the study is to comprehend the phenomenon of editing violin works for four-string domra as an artistic interpretation of the author’s first text
In the case of revisions of the repertoire of the violin for four-string domra, one can 2019 ■ Вип. 52 ■ Проблеми взаємодії мистецтва, педагогіки та теорії і практики освіти 147 speak about the sound-making will, which manifests itself in the artistic concept of interpreting the first text, and the will to timbre, which is connected with the work on sound quality and its coloring

Summary

Introduction

There has been an undiminished interest of scientists to the problem of transcription. A number of dissertation research is devoted to this question The editing of violin music for four-string domra in terms of the interpretation of the author’s first text did not become the subject of a special study. It should be noted the identity of the building violin and four-string domra. The violin and domra have unique sound images, which determines the specificity of the artistic translation, its meaning and result

Objectives

Methods

Results

Conclusion