Abstract

Tomasch and Gilles consider the young Edith Rickert within the context of the New Woman movement that was reshaping social, political, and cultural landscapes in the first decades of the twentieth century. In many ways Rickert fit the profile of an educated, independent, and professionally ambitious New Woman, as she forged a career as a fiction writer during this period. In line with contemporary expectations, many of her fifty short stories and novels privilege the emphatically patriarchal domestic sphere, and yet she consistently undercut the formulaic denouements that put women in their proper places. In her personal life, Rickert, unlike her heroines, created fellowships of women, as a student at Vassar, as a bluestocking in London, and later as the co-leader of the Canterbury Tales project.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.