Abstract

In Posthuman Ecology, anthropocentrism, based on the binary division between the privileged human and the ‘other’, gets deconstructed, leading to an acknowledgment of humans as essentially tangled in an intricate web of the natural world. In such ecologies, boundaries between the human and the more-than-human (non-human) worlds become porous, creating fluid identities and conditions of being within a framework of active interplay between the human and the non-human world. The ecology of folktales is replete with Posthumanism, as their narratives consistently break the unbridgeable gap between the human, non-human, and the spiritual and/or supernatural worlds and present certain non-naturalist ontologies that are mostly at odds with naturalism or modern empirical science. Such tales provided much-needed templates for sustainable development in the time of the Anthropocene. This paper attempts to study Easterine Kire’s When the River Sleeps (2014) as a posthumanist narrative where Vilie (a hunter) goes on a fantastical journey to find a fabled magical stone from the bottom of the ‘sleeping river’. Vilie’s journey comes out as a playground for both mundane and fantastic elements. He grows as a human being, and this happens as he transacts with the non-human and the supernatural world and comes across deep metaphysical questions and presents keys to understanding balance-in-transcendence.

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