Eco-spatial rethinking of two Malayalam movies Kumbalangi Nights and Malik: spatial imagination, solastalgia, and environmental in/justice

Abstract

ABSTRACT The paper undertakes the eco-spatial re-reading of two Malayalam movies, Kumbalangi Nights (2019) and Malik (2021), using the framework of solastalgia. Solastalgia is an environmental philosophy developed by Glenn Albrecht that refers to the feeling of abandonment and isolation in relation to a drastically transformed spatial circumstance. It is the paradoxical sense of homelessness while still being home. The paper argues that solastalgia is a heuristic framework to analyse unjust geographies and reimagine them as forums for creative resilience, collective strength, and political action. The movies explore the ramifications of lived space on the life of people living in it and its coalescing with other social, political, and economic categories of injustice. Kumbalangi tells the story of four brothers living on a stranded island in the neighbourhood of a city and how they creatively resist the solastalgic distress caused by the neoliberal social order. Malik, set in a densely populated coastal village, delineates how solastalgia is instrumental in excessive criminalisation and breakage of the social fabric. The discussion of the movies seeks to show how cultural narratives such as films can be seen as important tools to represent unjust geographies, and resist them through rebellious re-imagination.