Abstract
This article reviews Hemingway’s reception in Cuban literature and film, establishing a periodization that includes the rise, disappearance, and return of a critical discourse on the North American writer. The changes in the way Hemingway is perceived and presented are discussed in terms of Cuba’s own political and economic situation.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
