Abstract
AbstractIn the present paper it is tried to call in doubt the authenticity of the fourth stanza of Prudentius’ introductory poem (the ninth and eleventh stanza were deleted by Christian Gnilka). It is argued that after the deletion of these three stanzas the dichotomic structure of the introductory poem will become more transparent.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
More From: Zeitschrift für Antikes Christentum / Journal of Ancient Christianity
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
