Abstract
Consumers’ increasing fascination with recreational eating out has contributed to numerous transformations in the upmarket restaurant practice. This paper explores such changes in regard to the “social” aspects of eating out, focusing particularly on the “cultural phenomenon” and practice of eating publicly alone (solo dining). Specifically, the paper extends previous portrayals of solo dining as a bundle of aloneness and togetherness by exploring such interplay in the context of the aestheticization of eating and/or the aesthetic food(ie) movement. Based on the interviews of Finnish food/restaurant enthusiasts and exponents of solo dining, the paper firstly depicts solo dining as a practice in which eating publicly alone is celebrated for the sake of enhanced aesthetic immersion. Secondly, the paper argues that solo dining can indeed be interpreted as a form of eating together and depicts the myriad ways, both concrete and “anonymous”, through which solo restaurant meals are shared between like-minded enthusiasts. Thus, the aesthetically oriented slice of solo dining becomes not understood as a complete departure from the ideal of shared public meals but as an alternative manifestation of commensality within an enthusiasm-based consumer group characteristic of late modern consumer culture.
Highlights
The increasing interest in recreational eating out in many Western societies (Warde, 2016) has contributed to multiple types of transformations within the diverse field of upmarket restaurants1 (DeSoucey and Demetry, 2016; Lane, 2014; Pearlman, 2013)
After introducing the traditional and more contemporary interpretations of “commensality”, we explore the current literature at the intersection of solo dining, eating out, and the foodie movement
This paper used the emerging practice of solo dining to explore the relationship between the aestheticization of eating, the emerging desire for dining publicly alone, and the diversifying forms of commensality
Summary
The increasing interest in recreational eating out in many Western societies (Warde, 2016) has contributed to multiple types of transformations within the diverse field of upmarket restaurants (DeSoucey and Demetry, 2016; Lane, 2014; Pearlman, 2013). This paper explores such changes in regard to the “social” aspects of restaurant consumption. This study, departs from the view of solo dining as a pure form of eating alone as well as from the literal definition of commensality. For the purposes of our article, relevant is that solo dining (as a hybrid of aloneness and togetherness) has not been sufficiently discussed in relation to enthusiasm-based consumer groups characteristic of consumer culture, such as the foodie movement (see Warde, 2015)
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