Abstract

In this interview, scholar–curator Bryan Norton discusses new forms of planetary-scale image-making with artist–researcher Asia Bazydrieva (Geocinema) and media theorist Jussi Parikka. While collaborating with Bazdyrieva during the production of Geocinema’s ‘Making of Earths’, a documentary exploring the Digital Belt and Road Initiative in China, Parikka wrote a new book, Operational Images: From the Visual to the Invisual (2023). In this study, Parikka suggests that the forms of image-making explored in ‘Making of Earths’ press against the very borders of the visible, possessing a long history with drastic political and social consequences. Drawing on the history of satellite imagery, drone footage and climate models, both Parikka’s and Bazydrieva’s work present fecund modes of artistic and scholarly engagement with the contemporary creation and dissemination of what Harun Farocki called ‘operational images’ in his audiovisual work from the early 2000s. In this conversation, Bazdyrieva, Norton and Parikka discuss the ever-increasing ubiquity of these types of images in order to highlight their role in planetary-scale computation systems, the production of scientific knowledge and the ongoing war in Ukraine.

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