Abstract

This book is an ambitious work that surveys the development of a major sculptural medium in Italy across four centuries. It is the first work of its kind to consider the varieties of fired clay sculpture, especially in the context of the sculptural process. Whenever possible, clay models have been juxtaposed with finished works in order to show changes between a sculptor's initial concept and the final product. Over eighty objects are considered, ranging from drawings and sketch models to enamelled terracottas and marbles. The entries are supplemented by a series of essays, addressing major aspects of clay sculpture from the Renaissance to Neoclassicism. There is also a survey of recent information gleaned from the conservation of terracotta sculpture. The book is the catalogue of a major exhibition mounted by The Museum of Fine Arts, Houston, Texas, and the Victoria and Albert Museum, London. Many of the works have been especially conserved and examined for the exhibition and the result will be a major contribution to the study of European sculpture.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.