Abstract
The painting of Archangel Raphael and Bishop Francisco Domonte by Murillo (1680) is in the Pushkin Museum of Fine Arts in Moscow (fig 1). The portrait of the bishop in the lower right hand corner shows several characteristic features of scleroderma. The most striking alterations of the skin are the numerous small telangiectases on the face, lips, and hands and the tight skin around the nose, cheeks, and forehead (fig2)). At the finger the transverse skin plicae of the knuckles are not visible and the …
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