Dynamic tensions in A. S. Byatt’s “A Lamia in the Cévennes”

Abstract

ABSTRACTA. S. Byatt’s short story “A Lamia in the Cévennes” is built on a principle of dynamic tension that operates across all her work, established in the initial part of this article by her critique of D. H. Lawrence’s cosmological dichotomies, her subversion of gender and sexuality in Possession, the deconstruction of postmodern theory in The Biographer’s Tale, and her retelling of the myth of Melusine. The second part of the article analyzes how these dynamic tensions influence the story in question, from Byatt’s critique of Keats’s romanticism, to her subversion of the line between myth and reality, her examination of realism and abstraction through references to David Hockney, and her reframing of these questions in terms of artistic and cultural assumptions about gender and sexuality. These examples demonstrate the critical mindset at work in Byatt’s fiction, which confronts the complexities that necessarily co-exist in life and art.