Abstract
Dylan Thomas' radio play Under Milk Wood was performed on stage and television soon after its BBC radio premiere won the Prix Italia in 1954. Textual analysis of the 1957 BBC television production demonstrates how it contributed new resonances deriving from the medium's performative conventions and communicative strategies. The nature of the aesthetic values sought by the professional critic and the domestic viewer are evaluated: it is observed that the comparative approach of critics, focusing overwhelmingly on the work's originating form, inhibits full engagement with the innovative creative possibilities of performances of Under Milk Wood in forms of representation with a visual dimension.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Critical Studies in Television: The International Journal of Television Studies
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
