Abstract
In this article, archaeologist Dr Duncan Wright explores the intertwined realms of rock art and street art. Through an examination of the motivations, methods and materials of rock artists, Wright offers a nuanced reflection on these creative expressions (and their meanings) in their specific cultural contexts. The article investigates geographical, historical and cultural research-based dimensions of art on walls, coupled with an insightful analysis of the intersections between rock art and graffiti/street art, to better understand the power of public art in communicating knowledge.
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