Abstract
This article shows how 1916 in Dublin was the year in which cinemas began to successfully attract and keep a middle-class audience. Cinemas used a number of different tactics to entice the middle class including: an enhancement of their musical provision, a presentation of films about World War One in a manner that included presenting the films with music, song and poetry, often performed by servicemen, and finally, a focus on the comforts the cinema building had to offer, which in some cases included refurbishments. The attempt to attract middle-class patrons was instigated by the need to diversify as more and more cinemas were reaching for a pool of the same number of working-class patrons. The article draws extensively upon The Irish Times of 1916 predominately as that paper was the organ of the middle and upper class of the era.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.