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Abstract

GOING HOME: UKRAINIAN THEATRICAL ACTIVITIES IN THE PUBLIC SPACE AFTER 1991 ON THE EXAMPLE OF THE CONTEMPORARY ART PROFECT GOGOLFEST Along with gaining independence, in Ukraine festival tendencies were revived, including theatrical art: the exchange of experiences has been intensified, tendencies to present social- and historical topics forbidden during the USSR times along with the search for new means of bringing theatrical art closer to the audience became more visible and prominent. In the early 1990s, festival movement became key to Ukrainian theatre’s revival, enabling its adaptation to the new socio-political, economic and cultural reality. The aim of the article is to present the GogolFest festival in the context of various directions of the festival movement after 1991. The idea and initiative to create this multidisciplinary project came from the director, producer and artistic manager of the ‘Dach’ Center for Contemporary Art. As a result, activities of GogolFest and its evolution have a broader culture-forming scope: through the integration of various fields of art and creators, they aim at modernizing Ukraine in the space of art. This, in turn, is the basic condition of forming or increasing the awareness and conducting social discussion on current and historical topics brought by the reality of contemporary Ukraine.